Taxi Driver

Taxi Driver is a film about many things, but overall it is about the theme of isolation and focuses on one particular loner in a big city who can be construed as an anti-hero. It is a film that draws from many genres: the Western, horror, film noir, and was also influenced by the films of the Italians (DeSica, Rosselini, Fellini).

Discuss cinematically, in at least two paragraphs, the themes of isolation and/or the anti-hero and how Scorsese's film is influenced by the different genres and by the Italians. You might find Ebert's original review and his Great Movies essay on the film helpful.

The Good, the Bad, and the Ugly

Re-read Ebert's piece on The Good, the Bad, and the Ugly. He claims:

"A vast empty Western landscape. The camera pans across it. Then the shot slides onto a sunburned, desperate face. The long shot has become a closeup without a cut, revealing that the landscape was not empty but occupied by a desperado very close to us.

In these opening frames, Sergio Leone established a rule that he follows throughout "The Good, the Bad and the Ugly." The rule is that the ability to see is limited by the sides of the frame. At important moments in the film, what the camera cannot see, the characters cannot see, and that gives Leone the freedom to surprise us with entrances that cannot be explained by the practical geography of his shots."

Discuss this idea of the frame and how it is used in this film (paragraph 1); choose one other film and discuss the idea of the frame in that film as well (paragraph 2). 

The Searchers

Think about the portrayal of the American Indian and the portrayal of the whites in The Searchers. Discuss in a hearty paragraph how John Ford cinematically portrays each group. Then think specifically about Ethan and Scar and use your second paragraph to discuss how Ford cinematically portrays each of them specifically. In your last paragraph (number 3), discuss how the American Indian has been portrayed in films after watching Reel Injun on Netflix. Feel free to write as much as you want--this is a huge subject. Extra credit goes to those who comment on a classmate's comment or comments.

Stagecoach

In your textbook, Looking at Movies, by Richard Barsam, Barsam goes into a detailed analysis of the construction of Stagecoach's narrative. In your response, pick TWO aspects of narrative that Barsam talks about that you think were particularly effective in the film and discuss cinematically how they worked to make Stagecoach such a successful film. Don't forget to use examples from the film to support your response!!!